Sarah Silverman talks depression, learning to be her own best friend, bombing as a craft, therapy, and grabbing joy.

Sarah Silverman: Comedian, writer, and actor known for boundary-pushing stand-up, the memoir The Bedwetter, and her dramatic role in I Smile Back. She hosts The Sarah Silverman Podcast and is adapting her memoir into a musical.
Sarah Silverman opens up to Tim Ferriss about the sudden onset of her childhood depression at 13 and being prescribed up to 16 Xanax a day in the 1980s. She explains how, after losing herself in a codependent relationship, she deliberately learned to be her own best friend, becoming deeply comfortable being alone and talking out loud to herself. The conversation explores the craft of comedy as an ongoing process of bombing, starting from zero, and being brave enough to disappoint audiences, drawing on her SNL boot-camp experience and lessons from Chris Rock and Garry Shandling. They also discuss therapy breakthroughs, social media radicalization and cancel culture, self-flagellation as disguised self-obsession, and her late mother's advice to be her own best friend. She closes with her aunt's mantra to grab joy wherever you can get it.
“Law & Order is my safe space. I just something about this soft-core murder kind of like comedic version of things ripped from the headlines”— Sarah Silverman
“I'm loving Columbo. From the 70s and 80s. Oh, it's so good and just bizarre.”— Sarah Silverman
“one show that's on that I watched the whole first three seasons twice through and I'm waiting for the fourth season... it's What We Do in the Shadows”— Sarah Silverman
Taika Waititi and Jemaine Clement
“it started as the New Zealand mockumentary... Taika Waititi and Jemaine Clement... that was outstanding. The movie's so great”— Tim Ferriss
Stephen Sondheim
“there's a line in a song in a musical, Sunday in the Park with George. It's a song called Move On... the whole play is quite brilliant.”— Sarah Silverman
Judd Apatow
“for anyone who's listening, please watch Judd Apatow's two-part documentary on him... The Zen Diaries of Garry Shandling... Oh, it's so good”— Sarah Silverman
Sarah Silverman
“When you wrote your memoir, The Bedwetter: Stories of Courage, Redemption, and Pee, was there any part that you found particularly or very cathartic”— Tim Ferriss
Sarah Silverman
“And Jesus Is Magic was my first special. It came out like a like a movie.”— Sarah Silverman
Amy Koppelman
“she and her friend Paige Dylan wrote the screenplay... I said I'd do it and they were really collaborative and we worked on a lot of it together”— Sarah Silverman
Jerry Seinfeld
“I was watching multiple episodes of Comedians in Cars Getting Coffee and I watched your episode where you had coffee with Jerry”— Tim Ferriss
“for me I like thrillers or murdery stuff. Peaky Blinders. Stuff that's just not in my world. Something that I can just get lost in.”— Sarah Silverman
Charlie Kaufman
“one of modern cinema's most celebrated writers with work including surreal fantasy, Being John Malkovich”— Tim Ferriss
Charlie Kaufman
“cerebral sci-fi, Eternal Sunshine of the Spotless Mind, comedy drama Adaptation, and extraordinary animation Anomalisa”— Tim Ferriss
Charlie Kaufman
“Eternal Sunshine of the Spotless Mind, comedy drama Adaptation, and extraordinary animation Anomalisa”— Tim Ferriss
Charlie Kaufman
“comedy drama Adaptation, and extraordinary animation Anomalisa. Anomalisa, I don't know how to pronounce it.”— Tim Ferriss
Ray Bradbury
“it was either Fahrenheit 451 or 1984, one of those lovely dystopian novels that makes me think of the book burning”— Tim Ferriss
George Orwell
“it was either Fahrenheit 451 or 1984, one of those lovely dystopian novels that makes me think of the book burning”— Tim Ferriss
“You have a an enormous... Twitter following. Like, 12 12.something million and you use Speakpipe.”— Tim Ferriss
Amy Koppelman
“I Smile Back was was a book written by Amy Koppelman and she had sent it to my agent at the time”— Sarah Silverman
“then they say, 'Action.' And he's Captain Phillips.”— Sarah Silverman
“that movie's really relentless though. Even Precious had moments of relief, you know, I just go this movie's just like too much”— Sarah Silverman